For Tuesday's class session, we will meet in front of the Sheldon Art Museum located on UNL's campus. During this session, you will be observing and reflecting upon an outdoor sculpture that will be your primary text for WP3. Your assignments are as follows:
James: SANDY in Defined Space; Mahli: Woman Lying Down (II); Kyle G: Ouranos; Dan G: Fragment X-O; Ayana: Variable Wedge; Amanda: Willy; Bryan: Torso; Brittany: Story; Tiffany: Floating Figure; Kayla: Superstructure on 4; Katie: Serenity; Curtis: Monet's Table (from the Lily Pad Series); Megan R: Daimaru XV; Kailey: Nanticoke; Danny S: Untitled Relief; Alexis: Birth of Venus; Marcus: Pieta; Kyle V: Bather; Kelsey: Fallen Dreamer; Megan V: Arch Falls. So that you may locate your primary source easier, here is a map of the sculpture garden.
If you and one of your peers want to switch sculptures, that is fine, but you a) have to inform me of the swap during Tuesday's class session, and b) it must be one of the sculptures already on the list. I will take photographs of all your sculptures during class so each of you will have access to images of your primary text.
You will also so want to check the weather forecast for the day and dress appropriately, as we will be spending the entire class period outside.
For your first pre-writing assignment for WP3, you will need to write a 300-500 post on your previous experience with art-objects (you may interpret this as liberally as you would like). If you don't have any, or have very limited experience, you might want to address reasons for this absence, or apprehensions you might have with regard to writing a rhetorical analysis about an art-object. In addition to the word count, you will need to incorporate 1 multi-media element and 2 relevant hyperlinks. DUE: Wednesday, November 18th @ 2:00PM.
For your second pre-writing assignment for WP3, you will need to write a 500 word, cursory analysis of your sculpture, recording any salient information about it. Specifically, what rhetorical techniques, strategies, concepts, and appeals do you think the art-object evinces? Look through chapter 9 in CDA if you feel that you need a refresher on some of the rhetorical terminology we use for visual compositions. DUE: Thursday, November 19th @ 12:30PM.
Finally, I need 4 volunteers to bring, what the kids call, a "boombox" into class on Tuesday, November 25th. Your cooperation is much appreciated.
James: SANDY in Defined Space; Mahli: Woman Lying Down (II); Kyle G: Ouranos; Dan G: Fragment X-O; Ayana: Variable Wedge; Amanda: Willy; Bryan: Torso; Brittany: Story; Tiffany: Floating Figure; Kayla: Superstructure on 4; Katie: Serenity; Curtis: Monet's Table (from the Lily Pad Series); Megan R: Daimaru XV; Kailey: Nanticoke; Danny S: Untitled Relief; Alexis: Birth of Venus; Marcus: Pieta; Kyle V: Bather; Kelsey: Fallen Dreamer; Megan V: Arch Falls. So that you may locate your primary source easier, here is a map of the sculpture garden.
If you and one of your peers want to switch sculptures, that is fine, but you a) have to inform me of the swap during Tuesday's class session, and b) it must be one of the sculptures already on the list. I will take photographs of all your sculptures during class so each of you will have access to images of your primary text.
You will also so want to check the weather forecast for the day and dress appropriately, as we will be spending the entire class period outside.
For your first pre-writing assignment for WP3, you will need to write a 300-500 post on your previous experience with art-objects (you may interpret this as liberally as you would like). If you don't have any, or have very limited experience, you might want to address reasons for this absence, or apprehensions you might have with regard to writing a rhetorical analysis about an art-object. In addition to the word count, you will need to incorporate 1 multi-media element and 2 relevant hyperlinks. DUE: Wednesday, November 18th @ 2:00PM.
For your second pre-writing assignment for WP3, you will need to write a 500 word, cursory analysis of your sculpture, recording any salient information about it. Specifically, what rhetorical techniques, strategies, concepts, and appeals do you think the art-object evinces? Look through chapter 9 in CDA if you feel that you need a refresher on some of the rhetorical terminology we use for visual compositions. DUE: Thursday, November 19th @ 12:30PM.
Finally, I need 4 volunteers to bring, what the kids call, a "boombox" into class on Tuesday, November 25th. Your cooperation is much appreciated.
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